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Poetry talks to the heart as well as the head. It can move us, make us think and guide us. This book explores how poetry can help develop a Pathworking through exploring wisdom hidden in plain view. It is a look at creative processes, inspirations, how nature and the Divine move us – and how to apply this on a personal level to Pagan Pathworking.

• Sales Rank: #3033777 in Books
• Published on: 2012-12-16
• Original language: English
• Number of items: 1
• Dimensions: 8.46" h x .28" w x 5.51" l, .45 pounds
• Binding: Paperback
• 89 pages

About the Author
Fiona Tinker lives in Moray, Scotland. She is a Pagan and a teacher. She enjoys both roles enormously.

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1 of 1 people found the following review helpful.
A unique and moving work
By David D. Salisbury
Fiona Tinker's book Pagan Portals: Pathworking Through Poetry is one of the most unique works I've read in quite awhile. As someone who reads a great number of Pagans books on a constant basis, I found it very refreshing to read something like this - something that has truly not been done before.

Tinker's book focuses on the work of three poets who found their home in the British Isles: MacLeod, Yeats, and O'Sullivan - all early contemporary Pagans of centuries past who found their place in the world through their moving spiritual poetry. Tinker guides us through some of their poems that we can use as a guide for deeper connection via the tool of pathworking - the ability to traverse the inner realms.

Through this book, I found myself intrigued by classical poetry in ways I never have before. The ways in which Tinker weaves the work into the goal of deeper self-knowledge and spiritual revelation is revolutionary. I recommend this book to anyone who wishes to ignite the flames of the poet within. This is a book for all those who wish to look to the great creative works of the past in the hope for greater connection to the present self.

1 of 1 people found the following review helpful.
Poetry Between the Worlds
By Anemone
An excellent and practical guide to Celtic pathwork, ie meditation and interaction with the Fey. Yeats is one of my favorite poets. Use of his poems in this volume is a big plus for me. I have always believed that we are meant to speak directly with the spirits. Fiona Tinker does too. She blends literature and spirituality as they are meant to be. I highly recommend this book and will use it in my classes.

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Twelve-step program workbook including individual exercises and suggestions for group activities.

• Sales Rank: #124186 in Books
• Color: Purple
• Brand: Brand: Rpi Pub
• Published on: 1995-09
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 8.75" w x .50" l, 1.25 pounds
• Binding: Paperback
• 229 pages

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2 of 2 people found the following review helpful.
by running the workshops for new women I love to watch the light bulbs go on amongst the ...
By Marjatta T. Tapio
Absolutely fabulous learning tool for Codependent Women!! I run workshops for women and this book is our workbook. It is a life changer! I originally went through this Workshop in California 25 years ago. It absolutely changed my world. And now, by running the workshops for new women I love to watch the light bulbs go on amongst the women when they discover themselves in a very authentic way. Thank you to the women who wrote it!
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Hawaii

0 of 0 people found the following review helpful.
I have been in AA recovery for 30 years. ...
By Amazon Customer
I have been in AA recovery for 30 years...so I know how to stay clean and sober. Found myself still experiencing problematice relationships, low self-esteem and hopelessness at times. This book opened new healing paths for me and allowed me to identify my codependency and abandonment of self. Never again do I need to feel that way - thankyou - Jeanne

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Tools for Recovery
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[Z291.Ebook] PDF Ebook Beyond Technique in Solution-Focused Therapy: Working with Emotions and the Therapeutic Relationship

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• Sales Rank: #4228886 in Books
• Binding: Paperback

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[Z293.Ebook] Fee Download Jazz Piano Comping - Berklee Press Book/Cd, by Suzanne Davis

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(Berklee Guide). Learn the essentials of accompanying soloists and playing in jazz ensembles. Comping is the practice of using chords to accompany a melody. Whether supporting a soloist, playing in an ensemble, or performing solo, this book will help you to use chords effectively and appropriately to create a rich jazz feel and enhance the sound of your whole ensemble. It begins with triads and voice leading, and progresses through altered seventh-chord spread voicings for two hands, covering many different techniques for using harmony and rhythm. The accompanying CD lets you practice with a small jazz combo. Suitable for all major jazz styles.

• Sales Rank: #819200 in Books
• Published on: 2012-01-01
• Original language: English
• Number of items: 1
• Dimensions: 12.00" h x .26" w x 9.00" l, .44 pounds
• Binding: Paperback
• 80 pages

Features

• Brand Name: Baker and Taylor Mfg#: 9780876391259
• Shipping Weight: 0.44 lbs
• Manufacturer:
• Genre:
• All music products are properly licensed and guaranteed authentic.

Most helpful customer reviews

32 of 41 people found the following review helpful.
Oh how I wish this book delivers!
By A.J
I work as a solo pianist and about to create my own quartet so I have to be serious about comping. My knowledge about comping is limited to one chapter in Mark Levine's Jazz Piano Book. I'm always curious of the voicings of heavy and thick sound of parallel chords you hear played by great jazz pianists. The very sound that has been haunting me since the first time I heard the seductive sound of cool jazz.

So I made a research and found that there aren't many books specializing on jazz piano comping. This one has the exact title I'm looking for, and it's coming from the famous Berklee School of Music. I figured from the quality of other Berklee Press books that I own, this probably wouldn't disappoint me. You know, I really really wanted this book to work so bad, to lead the way for me. I've been so longing to find out how to be a great comper. But because this was a very new book when I bought it, it had very little information about it on the net. The book wasn't even listed on the Berklee Press website itself. I only managed to find the author's website and listened to few of her audio and video which didn't show much of her comping, so it didn't help me to decide. I wish I knew what's in it. So those who want to know what's in it, here's the content page:

CD TRACKS
INTRODUCTION
Lesson 1 Triads
Lesson 2 7th chords: required 7th chords in all keys
Lesson 3 Voice leading
Lesson 4 Getting away from root position: expanded shell voicings
Lesson 5 Tensions
Lesson 6 Comping with steps using guide tones and tensions
Lesson 7 Four-way close voicings with tension substitutions
Lesson 8 Voicing in fourths
Lesson 9 Upper-structure triads
Lesson 10 Open-position voicings
Lesson 11 Combining four-way close voicings with open voicings
Lesson 12 More comping examples
Lesson 13 Rhythms: syncopation
Lesson 14 Comping with bass and drums
Lesson 15 Comping with a guitarist
Lesson 16 Comping behind your own solo
Lesson 17 Comping strategies
Lesson 18 Comping rhythms played with the head (hits)
Lesson 19 AABA song form, 32-bar form
Lesson 20 12-bar blues 1,2,3
Lesson 21 Practicing with rhythm tracks, cds, sequence, and the metronome
Lesson 22 Building repertoire
APPENDIX A. Discography: Listening to examples of great comping
APPENDIX B. Glossary
ABOUT THE AUTHOR

Now, about the content itself:

I started by listening to the last few tracks of the CD, a habit of mine when picking up new instructional music book that has a CD attached, hoping to know how I will sound like by the time I finish the book... Ouch! Didn't like it at all. Didn't sound nowhere near the professional level. But! I shouldn't judge a book by its cover, let alone the last few tracks of the CD, so I read through it and listened to every single track of the CD. I have to say the material on jazz comping presented is relatively basic (plus a bit of Blues) if you've read Levine's book (he delves much deeper on the book's topics), and I couldn't find anything standing out that I couldn't find on Levine's book. The only thing I like about the book is the usual and great teaching methodology of Berklee Press, but sadly, the content itself is not a great teaching. Definitely will not guide you to be at the level when you can use it in a professional setting.

One thing that I don't like at all is the comping rhythm that the author plays on throughout the whole book and CD as examples. It is unbelievably and horribly simple, especially for someone who has the rank of an associate professor. Of course, you have to start slow and simple if you're teaching people. But eventually you have to share the good stuff too. Gosh, you just have to listen to the CD to find out. Almost all examples are using 3 or 4-note LH voicing with simple syncopated rhythm. I mean, I admit I don't know how to comp, but my rhythm is definitely more varied than hers. I refuse to believe that this is all she knows and can do on comping, so I question her motive of just writing a book for the sake of it, or actually willing to share what she knows about jazz comping. At the end of the book, my comping has not improved and I'm still confused about and longing for that mellow, upper register, parallel chords that the professionals use. Another miss on my pursuit of professional voicing.

I would only recommend this book if you are early in your jazz piano playing. If you know your 7ths, 9ths, 11ths, and 13ths, and you can play II-V-I in the circle of 5ths, this book will take you to the next level of understanding tensions, upper structures, and fourth voicing. You won't get much more.

The bottom line is, if you want to be closer to comping like Oscar Peterson, Bill Evans, McCoy Tyner and the likes, this will not lead the way for you.

Any suggestion for alternative or how you professionals out there learn to comp will be greatly appreciated.

6 of 7 people found the following review helpful.
I highly recommended it
By sebasloaiza
This book is very well structured and helped me make the transition from simple comping patterns to the jazz sound that I'm looking for. It has a practical approach that gets you started immediately, and also includes a CD that helps you gauge yourself along the way. Even halfway through the book, I was able to comp with a bass and drums using really cool jazz voicings for two hands.

2 of 3 people found the following review helpful.
Great Book
By Nico
I got the chance to purchase the book , one year ago . I never considered myself a Jazz Pianist, so in order to improve my aprroach to Jazz , i purchased this Book. The Book covers a large variety of voicings , for Jazz Music , but also you can move this voicings to other Musical Generes. Specially R&B and funk. Great Book to learn Quartal Voicings and Comping Rhythms. Since I start studying this book , My Jazz vocabulary really improve , strongolly recommed this Book to anyone who wants to learn and have a good foundation of Jazz. Also got the chance to hear play the author and she really knew her stuff.
Great Book
Best
Nico

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The author of Bad Land realizes a lifelong dream as he navigates the waters of the Mississippi River in a spartan sixteen-foot motorboat, producing yet another masterpiece of contemporary American travel writing.  In the course of his voyage, Raban records the mercurial caprices of the river and the astonishingly varied lives of the people who live along its banks.  Whether he is fishing for walleye or hunting coon, discussing theology in Prairie Du Chien or race relations in Memphis, he is an expert observer of the heartyland's estrangement from America's capitals ot power and culture, and its helpless nostalgia for its lost past.  Witty, elegaic, and magnificently erudite, Old Glory is as filled with strong currents as the Mississippi itself.

• Sales Rank: #873891 in Books
• Color: Cream
• Brand: Raban, Jonathan
• Published on: 1998-05-26
• Released on: 1998-05-26
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .90" w x 5.20" l, .75 pounds
• Binding: Paperback
• 416 pages

Amazon.com Review
"It is as big and depthless as the sky itself. You can see the curve of the earth on its surface as it stretches away for miles to the far shore." So begins Old Glory, in which Jonathan Raban recounts his eye-opening descent of the Mississippi River in a 16-foot aluminum motorboat. As the English author explains, his obsession with the subject began with Huckleberry Finn, which he first read as a 7-year-old. And in fact, his opening sentences refer as much to the imaginary river as to the real one, which turns out to be less bucolic than Raban expected. Three miles upstream from Oquawka, Illinois, he's nearly pulverized by a towboat. Later on, the intrepid voyager only just manages to escape a treacherous whirlpool near St. Louis, calming himself afterwards with a generous dose of tobacco and Valium.

True, when Raban isn't cheating death he encounters some stunning terrain, which he describes in no-less-stunning prose. Yet Old Glory is much, much more than a travelogue. It is also a brilliant interrogation of the American psyche, in the tradition of De Tocqueville and Crevecoeur. And ultimately, Raban tells us a great deal about the very phenomenon of travel, with all its rigors and rewards, and its peculiar, metaphysical dislocations: "Riding the river, I had seen myself as a sincere traveler, thinking of my voyage not as a holiday but as a scale model of a life. It was different from life in one essential: I would survive it to give an account of its end."

From the Inside Flap
The author of Bad Land realizes a lifelong dream as he navigates the waters of the Mississippi River in a spartan sixteen-foot motorboat, producing yet another masterpiece of contemporary American travel writing. In the course of his voyage, Raban records the mercurial caprices of the river and the astonishingly varied lives of the people who live along its banks. Whether he is fishing for walleye or hunting coon, discussing theology in Prairie Du Chien or race relations in Memphis, he is an expert observer of the heartyland's estrangement from America's capitals ot power and culture, and its helpless nostalgia for its lost past. Witty, elegaic, and magnificently erudite, Old Glory is as filled with strong currents as the Mississippi itself.

From the Back Cover
"Stunning . . . more successful than 99 percent of the books about America since de Tocqueville." --The New York Times Book Review

"Wonderful. . . . Mr. Raban is excellent company. He is a popcorn-popper of opinions." --The New York Times

"Vividly captures the texture of small-town everyday life. . . . Old Glory has given us a fresh portrait of ourselves." --Newsweek

Most helpful customer reviews

24 of 28 people found the following review helpful.
Good but not Raban's Best
By John C. Bradley, Jr.
I read Bad Land, Raban's book on homesteaders in Montana several years ago and it has become one of my all time favorite books. Since that time I have read some of Raban's other books, this one included. Raban's subject is fascinating, his writing is first rate. However, like some of the other reviewers have noted, this book is marred by the author's cynical tone and approach and an air of condecension that preveals throughout this book. Raban continually gives the impression that in his brief stops along the river he "figures out" what the locals have been unable to or have failed to figure out for years. I am sure that Raban did encounter his share of rubes and rednecks, but if this book is to be believed, those types of people are practically the only ones he encountered (maybe this has something to do with the fact that he sought out bars and watering holes as his first contact with many of the places he visited). His take on the South is typical of someone who has never lived in it.
This is a very good book and worth reading. However, it would not be my first choice of books written by this author. This book is marred by an attitude of superiority and condecension that Raban appears to have lost in his later books.

13 of 14 people found the following review helpful.
Bringing the Mississippi River to life........
By nto62
Old Glory tells the tale of Raban's solo journey by boat down the Mississippi from Minneapolis to New Orleans. Along the way, he visits the great cities and backwater towns that dot this legendary American wonder. Raban demonstrates that the Mississippi is, in myriad ways, much more than a river. He records the life-altering relationships between people and place and brings us the history and experience of this ultimate American artery. I have crossed the Mississippi by bridge and plane countless times and, with a cursory glance, acknowledged it as a major American marker. Raban, however, brings a soul to the Mississippi that, at once, uncovers a latent reverence, inspires a profound understanding, and rekindles a vicarious sense of spirit and adventure in the American citizen for "our" river and it's lore. This is an excellent book that deserves, and will certainly earn, your attention.

18 of 22 people found the following review helpful.
a tattered flag, still waving
By A Customer
I have traveled a fair amount through the small towns of the United States and have to concur with Mr. Raban's depiction of both the towns and the people who live in them. Other readers who have taken the time to write reviews of this book here seem to have remembered only about half of what Raban wrote about each of the towns that he visited.
His initial impressions were often filled with disappointment. He had approached this trip with a boyhood dream in his head and he was continually set back on his proverbial heels by the reality of these river towns in 1979. More often than not, however, further exploration of the town, conversations with some of its citizens and reflection on his part, caused Raban to revise his evaluation of many of the places that he visited.
Some reviewers may perhaps have forgotten that this book describes this region as it was after years during which the US economy struggled through an oil crisis, bouts of inflation, intervals of high unemployment and the tail end of the history of the "old economy". Should someone have the time and inclination to retrace Raban's steps nearly 25 years later, I would not be surprised if they found these towns and their people had changed quite a bit, probably for the better in social and economic terms. For instance, Raban devoted most of a chapter to the failed election campaign of Memphis's first black candidate for mayor. A quick Google (keywords: Memphis Tennesee government) will show you that the present mayor of Memphis (Willie W. Herenton) is African-American. I'm going to guess that he is not the first black mayor of Memphis.
I loved Raban's modus operandi for getting to the heart of a place. Tie up your boat, go to the nearest bar and strike up a conversation. This would seem to me to be the most reliable means to quickly get an unvarnished opinion about a place. Sure, someone on a bar stool is likely to have a slightly dimmer view of the place where he or she lives than the average citizen, but Raban was rarely, if ever, content with their views. He basically used the tavern-sitters as a 1979-era local flesh-and-blood Google; he found out the basics about a place like who are the local characters, what are the main industries, which are the burning local political issues etc. His fellow barflies were more important as sources of germane questions than as sources of definitive answers.
Raban's perspective on the St. Louis metropolitan area is one that I can vouch for personally, having visited there 10 years after he did. Furthermore Jonathan Franzen's novel The Twenty-seventh City is an elaborate description of the city-county socio-politico-economic tensions during the late 1980s. The continuum between Raban and Franzen's descriptions is pretty easy to imagine. Franzen grew up in the county and would have been a teen-ager when Raban was shacked up with his rich, wigged-out girlfriend out in Clayton.
I took one long journey through the US accompanied by a Danish friend. Upon learning that my traveling companion was a foreigner nearly every American that we encountered relaxed almost visibly and began to wax philosophical about the state of things. The radius of their sphere of interest varied, but everyone had an opinion about something. It was delightful to see that Mr. Raban experienced this same lowering of guard and move toward introspection as soon as he announced that he was an Englishman traveling in the US.
The parochial character and narrow-mindedness of many of the people he encountered matches up well with my own experiences in similar terrain four years after his journey. It is important to note though that Raban was treated to extraordinary amounts of generosity, both material and emotional, by the people that he met, however rhetorically bigoted they might have been. The author is at pains to acknowledge both the generosity and the puzzling disconnect that he sees between their rhetoric and their behavior.
Just one of the wonderful things that Jonathan Raban does in the course of Old Glory is show the reader the essence of American character. Their aggressive rhetoric is their shield against the unknown, but once you are brought in behind that shield, Americans are among the most outrageously generous and genuinely good people that you are likely to find.

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• Sales Rank: #9058686 in Books
• Published on: 1983
• Binding: Hardcover

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